PARAMOUNT+ RENEWS SCHOOL SPIRITS FOR A FOURTH SEASON | Created by Nate Trinrud & Megan Trinrud and Produced by Paramount Television Studios

Created by Nate Trinrud & Megan Trinrud and Produced by Paramount Television Studios
 
Paramount+ has renewed School Spirits for a fourth season. The hit original drama, produced by Paramount Television Studios, closed its critically acclaimed third season on March 4 with a perfect 100% Tomatometer rating on Rotten Tomatoes. All three seasons are now streaming on Paramount+ in the US, Canada, UK, Australia, Latin America, and Brazil.

School Spirits season three stars Peyton List as Maddie Nears, Kristian Ventura as Simon Elroy, Spencer MacPherson as Xavier Baxter, Kiara Pichardo as Nicole Herrera, Sarah Yarkin as Rhonda, Nick Pugliese as Charley, Rainbow Wedell as Claire Zomer, Josh Zuckerman as Mr. Martin, Maria Dizzia as Sandra Nears, Ci Hang Ma as Quinn, Miles Elliot as Yuri, and Milo Manheim as Wally Clark.

School Spirits was created by Nate Trinrud & Megan Trinrud, who are co-showrunners and executive producers on the series. Oliver Goldstick (Pretty Little Liars, Bridgerton) will return to season four as a consultant. List also serves as an executive producer on the series. 

Sci-fi fans should recognize Alex Zahara from his versatility across more than 150 television and film projects over the years, ranging from Jeremiah to Stargate SG-1 to Supernatural to Fringe and everything in between. More recently, he appeared in the film Final Destination: Bloodlines and plays the role of Principal Hartman in the supernatural series School Spirits.

Recently Zahara was kind enough to appear on SciFi Vision’s livestream spotlight series to speak not only about his role on School Spirits and the end of the season, but also about his prolific acting career and what’s next for him.

While crafting Hartman, the actor pulled from both the script as well as real-life school principals he had, as opposed to other principals on the screen. “I'm basing him on the script, what I believe his needs and wants and goals are, plus a little amalgamation of real people that I know,” the actor told SciFi Vision, likening it to a cocktail. “As actors, we're sponges. We absorb everything from everywhere.”

Zahara connected early on to the material and thought the concept was appealing because of his own beliefs in the supernatural. “I believe in ghosts; I believe in spirits, and that's why it's been a pleasure working on this, because I do think there's stuff out there,” explained the actor. In fact, he even offered up a real experience he had as a child, a visitation he believed was from his great aunt, and he knows he’s not the only one. “I'm not alone. There are a lot of people who have had ghostly, or I would say energetic encounters, and that's for real…There's no denying that there's something beyond our mortal coil, for sure.”

Set in the American South, the film Vampires of the Velvet Lounge follows Countess Elizabeth Báthory (Mena Suvari) and her coven of vampires, including Joan (India Eisley) who operate of a hidden absinthe bar where they lure in unsuspecting lonely victims they meet through dating apps and drain them to maintain their youth. When they target the wrong matches and cross paths with an undercover vampire hunter and a group of unsuspecting male targets who disrupt the plan, the coven’s routine begins to unravel, leading to a chaotic night of escalating violence, fangs, and green-winged fairies inside the bar.

Suvari and Eisley spoke with SciFi Vision about what drew them to Vampires of the Velvet Lounge and why the script felt different from typical horror material, working with blood effects, and more. Vampires of the Velvet Lounge is now in theaters.

In DRAGN, Tom Wilson (James Paxton) takes his family to Serbia to fill in for his boss at what he expects to be a routine team-building retreat in the remote forest, but after meeting with the head of the company, Petros (Alex Lane), things quickly go from bad to much worse when he and a group of colleagues from different branches of the company end up being hunted by a rogue AI-driven drone.

Recently, stars Paxton and Lane, who also produced the film and wrote the script, spoke with SciFi Vision to break down the movie, including their characters, stunts, practical effects, AI themes, and more.

DRAGN is now in theaters and available on demand.

Based on David Morrell’s 2005 novel Creepers, the supernatural horror-thriller Do Not Enter follows a group of thrill-seeking urban explorers who love taking things to the extreme and recording it for social media for the world to see. After a disagreement between members that ends one of them leaving the group, the four friends who stayed, including Rick (Jake Manley), his girlfriend Diane (Adeline Rudolph), Cora (Francesca Reale), and Vernon (Shane Paul McGhie), decide they need to do something big. With its past of supposed ghosts and a rumored $300 millions stashed in the abandoned building, New Jersey’s Paragon Hotel is the perfect place for their next livestreaming stunt in order to increase their fanbase. Ignoring the warnings, the Creepers, with the addition of reporter Frank Balenger (Laurence O’Fuarain), who they think can help grow their online fame, break into the hotel and have to contend with not only deadly rivals, but supernatural creatures that stalk them from the shadows.

Stars Manley, Rudolph, and Francesca recently spoke with SciFi Vision about working on the film, including filming locations, rehearsing together, stunt work, and more.

The film opens today in theaters and is also now available on digital and on demand.

Deep in the American South, an absinth bar doubles as a deadly hunting ground for Countess Elizabeth Báthory (Mena Suvari) and her glamorous coven of vampires, who use dating apps to lure in and feed on unsuspecting singles to keep their youth intact. Everything runs smoothly until Elizabeth swipes right on the worst possible matches: a calculating undercover vampire hunter, Cora (Dichen Lachman), and a group of emotionally stunted men. From there, it all unravels into a fever dream of blood, seduction, and chaos, with fangs, glitter, and green fairy energy colliding in a savage grindhouse nightmare.

Lachman recently spoke with SciFi Vision about her experience filming the movie, including her excitement to be back in vampire world again, working with blood effects, building the character through voice, and more, as well as about the challenge of playing multiple versions of the same character across projects like Severance and Dollhouse, and how she relies on physical cues like body tension and movement to separate each version in her performance.

Vampires of the Velvet Lounge opens exclusively in theaters on Friday, March 20th.

Nathan Fillion Makes Surprise Announcement of New Animated “Firefly” Series in Advanced Development at Awesome Con

March 15, 2026 - Nathan Fillion surprised fans today with the announcement that he and 20th Television Animation are in advanced stages of development on a new animated series based on the beloved cult sci-fi franchise “Firefly.” The reveal came during a panel and live taping of his podcast “Once We Were Spacemen” at Awesome Con in Washington, D.C., where the news was met by a packed, standing-room-only crowd with thunderous applause and enthusiastic cheers.

Fillion made the announcement alongside his former “Firefly” co-star and podcast co-host Alan Tudyk, joined by fellow original cast members Gina Torres, Jewel Staite, Morena Baccarin, Sean Maher, and Summer Glau that amplified speculation already building online.

The reveal followed a viral social media campaign featuring a series of cryptic videos starring Fillion and several of his “Firefly” co-stars. In the first clip, Fillion knocks on what appears to be a production trailer door as Torres asks, “Does this mean it’s time?” Fillion responds simply, “It’s time.” Subsequent videos featured Baccarin, Maher, Staite, Glau, Baldwin and Tudyk, which ignited intense fan speculation and generated tens of millions of views across platforms.

Guest Contributor

Gamers may have recently noticed Playdead’s Inside on sale on Steam for less than a dollar, which might not immediately raise expectations. Some players may also tend to enjoy multiplayer games more than single-player experiences, but that alone is not a reason to overlook this one.

It’s a fairly simple game. Players control a small boy running through dark forests, abandoned farms, and strange facilities while solving puzzles. There’re no dialogue or instructions. The game simply expects players to keep moving and figure things out on their own.

Strangely enough, that is one of the game’s most appealing qualities.

Recently, Outlander began its eighth and final season. Thinking they’ve left the war behind them, Jamie (Sam Heughan) and Claire (Caitríona Balfe) Fraser return to Fraser’s Ridge to find a settlement that has thrived in the years they’ve been away, operating without their influence. The two discover, however, that leaving the war behind them is harder than they expected, and they soon must decide what they are willing to sacrifice for the place they call home as well as what they would sacrifice to stay together.

Recently, executive producers Matthew B. Roberts and Maril Davis spoke with SciFi Vision about the impact Frank Randall’s book would have on the characters, difficulties in wrapping up the series, and more.

New episodes premiere each Friday on the STARZ app and all STARZ streaming and on-demand platforms.

Guest Contributor

Spoiler Warning: Major spoilers ahead for The Great Flood.

Disaster movies usually follow a familiar formula. Something catastrophic happens, people run for their lives, the protagonist tries to stay alive, they encounter a major problem, and the story builds toward a final moment of survival… or sacrifice. That is how The Great Flood initially appears. The film may initially appear while browsing on a streaming platform, and it may not initially raise many expectations because it follows a familiar premise.

Okay, so at first, The Great Flood seems to follow that exact pattern. This Korean disaster movie, directed by Kim Byung-woo, throws the audience straight into disaster. The waters are rising quickly, the buildings are slowly collapsing, people are in chaos, and the main characters are desperately trying to stay alive.

But then the movie pulls something unexpected in the final stretch. The entire plot turned into something much more complex, and the ending introduces a twist that reframes almost everything that came before it.

That may explain why the ending confused some viewers. However, when viewed more carefully, the movie is actually doing something far more interesting than it first appears.