The early part of the 1960?s decade depicted California as this laid-back, sunny paradise that functioned as a getaway from the hardships of business. It wasn’t thought of as a serious place to do anything that would be core to American business. The land of Hollywood motion pictures and Disneyland, with New York described as “the center of the universe” according to experts like Roger. We are approaching the end of the decade, and times are getting to be tumultuous seemingly by every progressing day.
It is with great reluctance that I write this final review for Merlin. For most people, the show ended as soon as the credits roll, but it doesn’t really feel like it’s over for me until I’ve written this review. But the show really is over, although I have heard talk of a possible spin-off. I don’t quite know what to make of that, but I’ll speculate a bit more about that later. Right now, let’s talk about the finale itself. I’ll begin by comparing my expectations for the finale with the reality of it.
Once Upon A Time concludes its second season with two episodes linked in title, but wildly divergent in quality. They serve as a microcosm of the whole uneven season, and confirm a trend that became apparent in the latter part of the season. Edward Kitsis and Adam Horowitz are very comfortable crafting stories for this wild, wacky, throw-ideas-at-the-wall-until-something-sticks world they’ve created. Unfortunately, they haven’t been able to bring the rest of the writers room on board, which really is part of their job description.
Grimm is a series that must constantly struggle with the needs of production (staying in “Portland”) while telling what has become a story about a global struggle. Sooner or later, they were going to have to get Nick out of town to deal with the bigger picture, so I suppose this is one way to do it. It’s a lot easier to have Nick be taken indoors and simply tell the audience you are in Europe. (Alas, Covert Affairsdoesn’t have that luxury.)