By John Keegan and Henry Tran

I'm just going to come out and say it directly: I was very frustrated with this season finale of "Falling Skies". It had a lot of logic holes and plotting that didn't fit with the episodes that were shown before. After watching the episode, I had a myriad of questions running through my mind, which isn't a good thing if anyone was looking for a positive impression of the episode.

By John Keegan

I was wondering if the writers were ever going to explain where the artifacts actually came from, in terms of how certain items are made or transformed. Not necessarily an in-depth explanation, since there is a certain mysticism to it that is best left untouched, but just some insight. And I've also wondered if they were ever going to follow through on the notion that Claudia was the destined next caretaker for the Warehouse.

By John Keegan and Henry Tran

It is amazing to me that Walt still feels like he's been wronged, even as he declared himself the victor in the war against Gus. I think that is what has driven Walt in the episodes we've seen so far this season, and especially in this episode. We find out the source of that mindset -- something that hasn't been addressed since the first season -- here, and it does speak to the stubborness that makes Walt who he is now. He's no longer fighting a war with Gus, but he seems to at odds with nearly everyone in his life.

By John Keegan

It's never a good sign when you need to write an enormously powerful character as a complete space cadet to justify why she would be easily defeated. It's even worse when the actress can't pull off the wackiness without it looking like someone from dinner theatre trying to act like someone flighty, rather than actually being someone flighty. And that's only the beginning of the illogical character choices on display in this episode.

By John Keegan and Edmund Boys

“Burn Notice” continues its revival tour with some “Official Business.” Unfortunately, the returning act is the CIA’s resident knuckle-heads, Bailey and Manaro, as the officials in question. Not content with contributing to Sam’s discharge from the Navy or the mission they bumbled around in last season, they’re back to call in Fiona’s CIA marker. They need to crack a high-tech arms dealer’s safe, and Fi has the right, um, assets to gain access. As the dealer, Durov, confirms during his initial frisking/mauling.

By John Keegan and Paul Pearson

This episode of "Lost Girl" was a lazy, wholly uninteresting effort on the show's part that failed to be funny, had no tension and basically faffed the characters about for forty-five minutes without delivering anything close to a satisfying conclusion. It would seem the inconsistencies of season two are yet to be overcome, and it's all the more disappointing because episodes like the previous one prove the show is perfectly capable of doing well.

By John Keegan and Edmund Boys

A funny thing happened on the way to “Burn Notice” adopting a whole new style of storytelling. The writers figured out they could use all the show’s familiar tropes to advance that storyline. As Team Westen methodically picks up the one or two bread crumbs that lead towards their goal, they recreate another classic situation from previous seasons. Previously, we actually saw Sam’s sugar mama, and a turf war was settled by pitting the two sides against each other. This time, Michael goes undercover with an attempt at a Boston accent, just to obtain Nate’s FBI file.