By John Keegan and Edmund Boys
Leading up to the latest “Newsroom”, a couple of factors had conspired to lead me to the conclusion I should give the show a bit of a break. Aaron Sorkin went on NPR’s Fresh Air and openly admitted it was a fantasy, an “aspirational” show about how he wished the news was presented. Then, during our podcast discussion, I was reminded of something I’d commented on in the pilot. We’re watching this story from its raw beginnings, with a group of deeply flawed characters who will (presumably) grow into the surreal, hyper-intelligent competence we expect in a Sorkin cast. So, I was prepared to ease up on my kvetching about unreal office politics and give the characters some time and space to develop.
It's fitting, perhaps, that Sara Ellis would make her return to the show just when Neal is sent undercover to woo a beautiful heiress. The episode doesn't really milk the tension of this situation, but I found that more refreshing than disappointing. Sara remains extremely professional about the whole situation. And though Neal does confront Sara about what little tension does seem to have arisen between them, Sara is quick to explain that it's not Neal's fault. She has a personal reason for being bothered about Neal's departure.