Exclusive Interview with Jeremy LaLonde of Sex After Kids
Interview by Jamie Ruby
Written by Jamie Ruby
Jeremy LaLonde is the writer and director of the upcoming independent film Sex After Kids, which is about how couples' relationships change after they have children.
LaLonde recently talked to Jamie Ruby of SciFi Vision in an exclusive interview, as well as joined the Fandom Access podcast to talk about the project.
The idea for the film came to LaLonde in an unusual way. "It's something very near and dear to me. Also I was looking for an ensemble film to do and I literally saw an article in a magazine titled "Sex After Kids," and it just hit me really hard that no one that I knew of had done something this extensive with this topic, and it's an exciting topic that I think people will enjoy discussing after."
The film should appeal to many because it has such a broad potential audience. "It's such a big subject and everyone that has children has to deal with it."
Interview by Jamie Ruby
Written by Jamie Ruby
Jeremy LaLonde is the writer and director of the upcoming independent film Sex After Kids, which is about how couples' relationships change after they have children.LaLonde recently talked to Jamie Ruby of SciFi Vision in an exclusive interview, as well as joined the Fandom Access podcast to talk about the project.
The idea for the film came to LaLonde in an unusual way. "It's something very near and dear to me. Also I was looking for an ensemble film to do and I literally saw an article in a magazine titled "Sex After Kids," and it just hit me really hard that no one that I knew of had done something this extensive with this topic, and it's an exciting topic that I think people will enjoy discussing after."
The film should appeal to many because it has such a broad potential audience. "It's such a big subject and everyone that has children has to deal with it."
Fox's hit series Bones returns Monday in its new timeslot, with the episode "The Prisoner in the Pipe." In the episode, human remains of an escaped fugitive are found in the sewer. When evidence indicates that the murder occurred inside the prison, Seeley Booth (David Boreanaz) and Temprance Brennan (Emily Deschanel) turn to the inmates for answers. Meanwhile Booth wants Brennan to take it easy because she is near the end of her pregnancy, but being stubborn, they end up with an untraditional birth of their new baby girl.
Due to the steadily falling ratings of this show, I would not be surprised if this was the last episode to ever air. As a result, the finale is just not going to resolve anything. If the show does somehow get a reprieve and another season, there are some interesting questions that could be explored.
My initial reaction to this episode was frustration. There’s nothing worse than following a season-long plot arc, only to realize that most of it was a diversion, with the story circling back on itself when the final episodes arrive and it’s time to get serious about setting up a resolution. While I’ve been able to forgive some of the backtracking and red herrings this season, this latest reversal in the Team Elena vs. Originals saga is maddening.
There are times when I think I have to take notes on index cards for the complicated plotlines on this show. This episode made it feel like there were three or four different people who want either Bridget or Siobhan dead. On top of that, the writers pile on more about the Ponzi scheme being run by Martin/Charles and another scheme involving land being sold to get Andrew's money back. Though, he might not have that much money if he ends up getting caught perpetuating the Ponzi scheme.
In the later, more megalomaniacal, phase of his career, Robert Heinlein championed the concept of the World as Myth. He held that the act of creating fictional worlds is so powerful that all of those worlds including, of course, his own, actually exist as parallel universes to our own. It allowed the characters of his last novels to spend time in Baum's Oz, Burrough's Barsoom, and, most notably for our purposes, Carroll's Wonderland. While it may have been the final hubristic spasm of a Grand Master, it is a concept that proves useful to the writers of “Once Upon A Time” in “Hat Trick”.
Jason Isaacs is everywhere these days. Whether you know him as Lucius Malfoy from Harry Potter, or you've seen his face on a billboard recently advertising his new series, Awake, it's likely you've seen him. Isaacs is not new to the industry by any means. He's appeared in such films as Event Horizon, Armageddon, The Patriot, and more recently Abduction, as well as on television in The State Within, Brotherhood, and Case Histories.